Kim Thittichais' blog.
What is happening in her life, on the edge - of Loop Head peninsula. Her teaching . . and her dogs!
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One of the memorials in the Maharani Gardens in Jaipur that is featured in my Textile Travels online lecture.
How are you all doing?
Are you coping with and all the rain we are having? I know some of you will be enjoying warmer temperatures on the other side of the world. Wherever you are, I hope all is well.
As I now live in Ireland, I am delivering less lectures, it is a bit far to travel now!! However I do deliver 3 or 4 during the year - online. Guilds and textile groups are much more experienced with Zoom now, so it is easy to talk to groups in real time, if not the same place. I can talk about anything - but I do offer a choice of 3 when I am approached. And I can write a new lecture if that is requested, I certainly have enough images to choose from after all these years.
I was booked by a lovely group from Ayelsbury, U.K on
Saturday to talk about my textiles travels. Having traveled and taught
in Australia, New Zealand, India and a few places in Europe as well as
the UK, I have plenty to talk about. Knowing when to stop can be a
problem! The lecture went well, but it was the questions and chat with
the group after the lecture that was so special. We really got down to the basics of how you start to explore and develop your own work and style, without copying someone else's.
It all comes down to process and interpretation.
I thought it might be good to remind you that I do still offer lectures, just online.
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The new look website is working well, I have just uploaded Beautiful Boxes & Book Covers. What I am REALLY pleased with is all the great work the members are creating, and they are sharing it in the private groups that are attached to each workshop. I can't tell you the pleasure it gives me to see them all chatting to each other. From Australia and the US to Europe and the UK.
Because not everyone wants to work through all 12 of the workshops on the video library and be part of a membership - I have made my 4 Foundation Workshops available individually.
The full Experimental Textiles Video Library & Membership - €350 Annually
Here are a few clips from Beautiful Boxes & Book Covers
That is probably enough for now, next time I will show you some of the work the members are creating and tell you about my coming to the NEC in Birmingham in March.
Mary's beautiful composition of painted Bondaweb, newspaper, foils, gilding flake and jewel dots - and seaweed! Every now and then in your teaching life you come across a 'super' group. 'Super' in the the way they work together, share their materials and experience and of course they produce some fabulous work. It is particularly unusual to find this on a three day course - it is something I would associate with much longer course. Nine students who have never met before with the widest divide of experience and age from 17 to much older, experience ranged from very little through City and guilds up to degrees and a PHD in textiles based subjects. "Where sheep may safely graze . . " The view outside the workshop door - sigh . . . it is so beautiful. Of course, being at West Dean College www.westdean.org.uk helped, what with stunning surroundings, space to work and wonderful food it would be difficult to find anywhere else more suited t
Layered Tyvek and polyester organza. We had a great day to day at Foredo wn Tower. I t was the f irst day of a two day workshop - Zap, Pow, Slash an d Burn! This workshop gives stud ents a chance to play with all the zappable products that I work with namely, Tyvek, Vilene Spunbond and polyester organza. The group painting their Tyvek . There were nine in the group and although it was pouring with rain outside and blowing a hooley, we were almost snug and warm inside. Working with a heat gun, an inch away f rom the surface of your work and holding the heat gun at a slight angle. The group ha ppily using their heat guns. The following images are all three layers of heavy (75gm) Tyvel layered with polyester organza and then stitched together on a sewing machine . The samples were then zapped with a heat gun. This exercise helps the stude nt learn contr ol - by moving the heat gun away from and towards the work, you can control the amount of lay
A scrumptious sample of textured and foiled Tyvek. I am finally catching up with myself, have been in rather a headless chicken mode for the past few weeks - things are bit calmer now. I have a few days in between each teaching session now right up to when the shows start next month. As long as I keep moving I will be fine. So . . . I have a new teaching venue in Brighton, just 10 minutes up the road from me, I can't believe how close it is - such a treat. I have booked some more workshops for next summer and once I have decided what I will be teaching, I will let you all know the dates and workshop information. The Bridge Community Education Centre is light and airy place with plenty of well equipped rooms and a fabulous cafe with scrummy food. There is a huge car park and the Centre is close to Falmer station and is also on many bus routes. www.thebridgebrighton.com We had a group of seven fabulous girls. This is the Art Room. I was teaching a weeke
3 layers of 75gm Tyvek layered with polyester organza. The Full Works is my basic workshop learning how to use heat tools. We work with Tyvek, Lutradur/Vilene Spunbond and painted Bondaweb. Solihull Embroiderers Guild is a great group. Good fun and well organised. Have a look at their website. All Guilds can do with new members, if you fancy joining, you won't be disappointed. www.facebook.com/SolihullEmbroiderersGuild and the website - www.embroiderersguild.com We started off painting up all the products which took a couple of hours. It is important for students to know how to paint up all the products if they want to do this kind of work at home. When working with heat distressable materials, it is important not to paint them too thickly or the paint will form a barrier. Painting up the products. Painting Bondaweb. Lutradur/Vilene Spunbond. We started off playng with the Tyvek, laying it between 2 sheets of baking parchment and 'stroking&#
We have had the first day of my new course Print, Paint, Stitch and Play! and things seem to have gone well so far. I love teaching in Bobby's studio, it is purpose built with plenty of space, power and water. We had a fab day painting Bondaweb and colourwashing newspaper. The group then worked through my tearing and layering process and this is what they have produced so far. They have already started stitching into the papers and tomorrow we will be printing onto them. We had a discussion tonight about how to spell Prettys or Pretties. Apparently the latter is correct but I like the former so that is the word I am going to use - I have no doubt a certain gentleman in the Portsmouth area will now be sitting with his head in his hands and shaking his head saying No! NO! As part of this process you need to be able to describe a piece you have layered up with gilding flake, sequins, glitter and all the other gorgeous sparkly bits we are using. So I have started c
3 A4 sheets of painted Tyvek layered with polyester organza. this was then machine stitched together and then zapped with a heat gun to reveal different layers of colour and to create texture. The second day of a three day course - we have covered most of the basic techniques now and the students will be combining their own layers and stitching into them tomorrow. There are seven in the group and it is another good group - textile ladies do seem to be good fun in general. I rarely get someone who moans. These are two Bondaweb pieces that I missed yesterday We worked with Tyvek for most of the day, starting with 'kissing, stroking and caressing' single sheets and moving on to layering Tyvek with polyester organza and zapping back. I don't know if you can have too much of a good thing but here are all the layered samples - front and back - Maggie's front and back Jean's front and back Janet's front and back
A stunning corsage - one of the best I have seen on a workshop. I had a great day today teaching at Southwick Community Centre for the Sussex Quilters. The workshop was 'Tinkering with Tyvek'. As usual for my workshops this was a process based day. I think it is important to know what the the materials will do before you can decide to make anything. First thing, we spent an hour painting both sides of several sheets of A4 heavy Tyvek and fabric weight Tyvek. Dull but necessary, it is very important not to paint the Tyvek with thick paint. If you do, the paint will form a barrier and the Tyvek won't react to heat. We then had a play with ironing Tyvek shapes between baking parchment, learning the 'Kiss, Stroke and Caress' way of lightly heating the Tyvek till it shrinks and puckers. We then moved on to layering 4 sheets of A4 Tyvek with polyester organza and machine stitching them together ready for zapping back - a bit like cheeky reverse
Painted and foiled Bondaweb with painted, textured and foiled Tyvek The final day at West Dean was a day of layering and stitch, a great treat. Having the extra day made such a difference, to the work and to the group. All the students bar one were beginners in the Hot Textiles field and they all produced some brilliant work. We worked through all the basic Hot Textiles processes as you will see in the previous posts. The students were left with various piles of heat treated fabrics which I asked them to create some kind of composition - here are the resulting samples - Layers of transfer printed CS800 Vilene Spunbond zapped with a heat gun and decorated with frayed organza and embossing powder. Transfer printed CS800 Vilene Spunbond zapped with a heat gun decorated with a Tyvek motif. Polyester organza decorated with painted Bondaweb, zapped with a heat gun and decorated with textured Tyvek Painted Bondaweb decorated with hea
It's almost here! I have been getting a lot of requests for me to teach online over the past 2 years. From all over the world. This combined with me wanting to stay at home in Ireland more and slow down a bit has decided me - it is going to happen. Starting in May. I am currently building a database and everyone who is on the database will be the first to hear what is happening and when. They will also receive the Sonas Studio newsletter (you can opt out). My house in Ireland is called Sonas - it means happiness and well being in Irish. I chose it because it sounded just . . right. This year I will be concentrating on my one/two day workshops that will translate well to online workshops. For example -Tinkering with Tyvek, A New Starting Point and Transforming Transfers will be online from May to July. This all very new to me and I will be having IT help from my good friend Jayne. If you have been to the show at the NEC in March you will have seen her there. She he
Newspaper decorated with painted Bondweb, silk fibres, glitter and transfer foil. On Saturday I drove over to Meopham in Kent to teach one of my last one day workshops. The workshop was Hot Textiles, working with Bondaweb, Tyvek and Lutrdur/Vilene Spunbond. As some of you will know, I no longer take bookings for one day workshops, you can never get enough done. This workshop was booked 18 months ago. Having given a lecture to this group the previous Saturday in Gravesend, I knew I was in for a good day with plenty of fun and laughter. We started off painting up the Tyvek, Bondaweb and Lutradur/Vilene Spunbond. When working with materials that distress with heat, it is important to know how to apply colour to them, most importantly, how thinly to apply the colour. If the paint is applied too thickly, the paint will form a barrier and form a resist to the heat. The group painting up their products. The Tyvek is always the first to dry - so we we experimented w
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