A section across 3 'Journeys' one of the design exercises on Experimental Textiles.   I have finally finished wrestling with the NEW online 10 month Experimental Textiles course which will start on September 21st 2022. It was very helpful to have all the replies from the surveys that I sent out to my mailing list. The replies guided me as I worked through all my ideas to create something that would fit both my ideas and what appears to be needed. The NEW 10 month online course    A history of Experimental Textiles . . I have taught my course Experimental Textiles since 1999!! It was originally written as a one year course and eventually ended up as a 4 year course . .  because my students wouldn't leave!! I taught the 4 year course across 2 colleges for 12 years. As you can imagine, it was pretty full on. But also amazing, and I learned so much and made some great friends a long the way.  After the 12 years I swore I wouldn't teach the course again, I was worn out - so

Torn newspaper layered with painted Bondaweb, decorated with gilding flake and transfer foil.   Well that's it!! There is no going back now . . I have just bought a Zoom licence. My first live Zoom Workshop is on Saturday, February 27th. I have been on the other side of many Zoom meetings, now I will be hosting my own. I am really looking forward to hosting.  I am offering 3 of my favourite workshops first, then I will be adding newly developed workshops from the end of May. The one day workshops run from 10am - 4pm. The first item on all my materials list will be cake! Cake, in any form, will be an important part of my workshops. Cake will be compulsory I am missing faces, happy faces, concentrating faces, 'I don't get it' faces and cheeky faces. Live Zoom workshops are the closest way for me to get to working with students. If we can't actually be together, at least we can see each other in real time. The workshops will consist of a one day workshop and then a 2 h

Printed and painted Bondaweb, ironed onto black cotton and decorated with torn skeleton leaves, gilding flake and herringbone stitch. It always helps to read the small print in a contract!!! I have been continuing to pay the monthly subscription to Ruzuku so that students who are currently on workshops can get their work finished before I stop teaching online on May 27th. Since inquiring about deleting my subscription to Ruzuku, I have discovered that the students currently on workshops, and any that enrol before midnight on Tuesday 26th May , can view the workshops and videos INDEFINITELY. So if you were put off enrolling on a workshop because you thought the workshops wouldn't be available after the end of May, we were both wrong. So - here are the links again - 30% off as there are no more inspiration books to send out. Only use these links to enrol. The links on the website are full price. To find out more about the workshops have a look here - http://kimthitticha

A fabulous transfer print. The Granary Studio is a great place to learn new skills and techniques. It is run by Susan Chapman. The studio is well equipped and offers exciting courses - do have a look - granarystudio.com My Granary Studio workshops - On Friday the 9th June I taught my 1 day workshop - On the Surface and on the 10th and 11th I taught my Transforming Transfer 2 day workshop. On the Surface is my Bondaweb based workshop. The group also wanted to play with Tyvek, so we had a good play session for the whole day, working with painted Bondaweb, transfer foils, gilding flake and mica flakes - and Tyvek. The first activity was to paint the Tyvek and Bondaweb. It is important to know how thickly to paint both products. If the paint is too thick, the Bondaweb won't stick and the Tyvek won't texture with heat as you are creating a barrier with paint. As the Tyvek dries faster than the Bondaweb, we started with that - learning how to texture and the