Simone and Kath cutting the S133 - the big boy!!!   So - we have worked through The Journey design exercise , we have made printing blocks from the isolated designs. Then we created some fabulous torn paper and painted Bondaweb surfaces using my 'Background & Pretty' technique.   Decovil 1 and Decovil 1 light, cut and rolled ready for the group to use   And then, I brought out the the heavy interfacings!!  Decovil 1 and Decovil light are leather-like interfacings for making bags, but we can do so much more with them. They are great for making book covers and small boxes and vessels. The S133 interfacing is my favourite. It is very stiff, like cardboard and fabulous for making tall vessels.  All 3 interfacings have fusible web on one side, so you can iron fabric onto them, or more importantly for me - the torn paper pieces the group had been creating. Vlieseline Australia and New Zealand kindly sponsored my workshop with these wonderful interfacings. It made a massive di

Printed layers of bonded recycled papers It's not long now - The Geelong Fibre Forum in Australia 24th to 30th September 2023 is just 12 weeks away!! I had better start getting organised. It always takes longer than I think. Planning what I can take in my suitcases. Teaching a 5 day workshop on the other side of the world can be a challenge, what materials do I REALLY need to take? The students have a comprehensive materials list, but I am always worried someone might forget something. I think there are couples of places left on my workshop - https://taftainc.com.au/workshops/kim-thittichai I haven't taught in Australia or New Zealand since 2019. I was due to teach this workshop in 2020 - but we we all know what happened that year, things got very quiet!! So International Tutors are now being invited back to the Fibre Forums and Quilt Symposia. Painting The Journey Taking sections from The Journey Printing blocks created from the original designs taken from The Journey It'

Recycled cardboard packaging woven into with printed newspaper. The completed weaving was then printed and hand stitched - by Shaun West   I have been teaching weaving as part of the Constructed Textiles module of my course Experimental Textiles for many years. When I taught 'in person' we would create a huge pile of fibres, paper, yarns, fabrics and plastics in the middle of a huge table and the group would take what they thought would work for them. We always concentrated on interesting texture rather than weaving techniques. It is quite possible to create something rather special with simple techniques and interesting materials. The work in the first 5 images in this post was created by Shaun West in 2013.  All you need to weave, is a grid or a warp. With recycled cardboard packaging that is sliced in regular intervals it becomes quite possible to stretch it out and weave into it. Choosing to weave with painted and printed recycled newspaper keeps to a muted colour pallette.

A very happy OAP!!    Well how did that happen? I am now a pensioner . . .  Getting older doesn't worry me in general, but I am more aware of the groaning joints and I am thinking about what time is left to get SO much done. I have more ideas than ever now. Textures to create, designs to develop and so much more stitch to play with.  When you get to landmark birthdays, I think it is normal to take stock, to see where you are and how you would like to spend your time. After the Experimental Textiles course finishes in June/July next year I will be having a break from regular teaching. I have booked a stand The Festival of Quilts at the NEC in Birmingham, UK. www.thefestivalofquilts.co.uk/ in August next year. It will be so very good to catch up friends and ex students at the show. It will be a change for me to have my own stand rather than working on a Vlieseline stand. I will be there to promote the new Experimental Textiles Video Library which should launch in January 2023 I

One of my favourite pieces of painted and distressed Tyvek - Ever!    Is it odd to have a favourite sample of Tyvek?   Tyvek is one of my favourite products. Having taught all my heat processes for so many years, I thought I had probably taught most of the people who were interested. Apparently not! My first book, Hot Textiles seems to be having a bit of a revival, and with that comes new interest. So, in response to all the emails and messages I have received asking how do I work with Tyvek - I have written 2 new workshops. How to enrol and all the details are at the end of this post.   All the samples in this blog post have been made by students on previous workshops with me. Some are from as back as the early 2000's. The first one will be Workshop 4 - Raising the Surface. You may have noticed that I LOVE working with painted Bondaweb. You can create some fantastic effects by adding transfer foil or gilding flake. But as you need to iron Bondaweb, your work is always flat. Adding