Die cut shapes from decorated newspaper ironed onto S133 interfacing. Online workshop - A New Starting Point. Being interviewed about your practice is a strange thing. Particularly when you tend not to work the same way as most of your peers. It makes you feel a bit vulnerable. However, when the interview comes out and looks and reads - quite alright really, you feel much better. This is a link to the interview. I hope you enjoy reading it. www.textileartist.org/kim-thittichai-designing-process *** This is a catch up blog post.  In August I have my last two workshops in the UK til 2019. One at Art Van Go and one at the Old Needle Works in Redditch.  Art Van Go - there are 2 places left.  August - Thursday 17th and Friday 18th 2 day workshop 10am - 4pm  Stitched and Printed Textile Travels. Be inspired by your travels - from a stunning arch in a cathedral to the exotic delights of an elephant ride in India. £95 (Including £4 materials charge)    Cr

 Beautiful inspiration for design . . and colour. This is a quick post to keep you all up to date with what is happening teaching wise.  I have now finished teaching Experimental Textiles at IDC and will be offering modules from it online from January 2018. They are likely to be 6 week modules, but I will see how everything goes this year. I am going to start online teaching at the end of May this year, but they will short courses. More technique based. As my first book Hot Textiles had been withdrawn from print - I thought I might start with that!  I have so enjoyed teaching my course Experimental Textiles in various forms over the past twenty years or so, and of course, there is also the book of the same name. It is time for me to cut down on my teaching and get on with my own work. All the time I am teaching, I can't concentrate on my own work. And it is time . . . *** It was the last weekend of ExTex as it is called in short form. It was odd - seeing the group wh

A stitched piece from one of the still life sessions on  Experimental Textiles.  I'm in a funny old place! I'm fast approaching a big birthday and planning some big changes. One decision I have made is that the next course of Experimental Textiles which runs from June 2016 - March 2017, will be my last.  I love this course - after all, I wrote it! But it is a tie every month and stops me traveling for longer periods of time. We are recruiting now - there are only 10 places, so if you are interested - have a look here. experimentaltextiles.com Feeling a bit nostalgic I have had look back at some of the work produced over the last 5 years and picked out a few pieces.  A gorgeous little felt bowl embellished with glass beads and and hand stitch.  Transfer printed applique and transfer foiling. A knitted wire bangle. The last weekend was the last session of ExTeXtra 1. This is the group that finished Experimental Textiles in March 2015 but wanted to carry

Transfer print decorated with organza bonded applique. Being able to colour/dye and print your fabric is very important if you want your work to be different. In my teaching I strive to help my students create original work. It is my passion. So this session is very important, dyeing natural fabrics (Viscose, cotton, silk)with procion dyes and synthetics with disperse/transfer dyes. It takes a lot to organise but is soooo worth it.     The group sorting all their fabrics and putting them in their plastic bags. Learning how different types of fabric take the dye is great fun. I use the dyeing in a plastic bag method for this. We don't need yards of fabric to give us the information we need. I use Ruth Issett's book Colour on Paper and Fabric for all the dye recipes. It is now out of print but can still be bought quite reasonably. I always refer to Ruth's books, having done several summer schools with her, I know her systems work - she is the Queen of Colour