Simone and Kath cutting the S133 - the big boy!!!   So - we have worked through The Journey design exercise , we have made printing blocks from the isolated designs. Then we created some fabulous torn paper and painted Bondaweb surfaces using my 'Background & Pretty' technique.   Decovil 1 and Decovil 1 light, cut and rolled ready for the group to use   And then, I brought out the the heavy interfacings!!  Decovil 1 and Decovil light are leather-like interfacings for making bags, but we can do so much more with them. They are great for making book covers and small boxes and vessels. The S133 interfacing is my favourite. It is very stiff, like cardboard and fabulous for making tall vessels.  All 3 interfacings have fusible web on one side, so you can iron fabric onto them, or more importantly for me - the torn paper pieces the group had been creating. Vlieseline Australia and New Zealand kindly sponsored my workshop with these wonderful interfacings. It made a massive di

Gorgeousness by Wilma And then this happened . . . It is very satisfying when you have developed a process and your students really run with it. A New Starting Point is a workshop I developed in 2012 when I was playing with old papers and scraps of painted Bondaweb - and of course, a bit of sparkle. The process became a great 1 - 2 day workshop that can be slotted into a 5 day workshop quite nicely. The great thing is your work doesn't have to look like anything, there is no pressure. The torn and layered process creates a great background to print onto. And then you can iron your work onto a heavy interfacing to create boxes, book covers . . more of that tomorrow. Layers of torn paper, card, transfer foil and Hot Spots The group working happily away The 'backgrounds and prettys' process creates luscious layers with lovely torn edges. I think it is my favourite process out all the techniques and processes I use. I start the students with my way of creating layers, then they

A detail of one of the panels of the mobile Those of you who teach will know how great it is when a past student sends you an excited email with images of work they have created (and sold) after one of your workshops. This student, who doesn't want to be named but has given me permission to use her images. She took various online workshops with me during the pandemic. This work was created after working through my workshop A New Starting Point, which features painted Bondaweb and recycled papers. Maybe a bit of glitter and foil too . . ! The work that has been sold is this beautiful mobile. Isn't it fabulous? The mobile featuring 11 double sided panels of gorgeousness   Here are a few of the panels in progress . . Detail of the print on these small panels    The decorative papers were torn and layered with painted Bondaweb and decorated with transfer foil and print. I love the use of red, not many people use it, It balances the darker blue beautifully.   Here are few more piece

   The 12 workshops that I am currently filming       Argghh!!! It was all going to well!! Have you ever lost work on your computer? I have learned a big lesson when editing videos - save the entire file first, then start editing. The software that I use to edit my videos crashed while it was exporting a finished file - without saving it. Groan.  So, back into the studio to record the final part of Bonkers about Bondaweb. The second workshop I have recorded for the Experimental Textiles Video Library & Membership. At least it was only the last shorter section of the workshop. I am really enjoying recording all my workshops, even with the hiccups. It is good to revisit processes I have been developing and teaching for a good many years. The new membership is only available to my newsletter subscribers, you can subscribe at the bottom of any page of my website - www.kimthittichai.com The membership already includes students who have signed up from various part of the UK, The United

A great vessel decorated with Tyvek and polyester organza flowers.                                                      Mary Kay Aukea   Do you feel that Zoom meetings are the norm now? They can't replace the engagement of in person meetings, but they are brilliant when you can't get to a meeting or a workshop because of time restrictions or physical distance. I am getting used to teaching workshops via Zoom. I recently delivered a lecture and a workshop spread over 2 days for The Needlework and Textile Guild of Michigan , USA. Because of the time difference the workshop needed to be delivered in 2 halves. The Needlework and Textile Guild of Michigan https://www.ntgm.org/   is a multidisciplinary fiber-art guild. The purpose of the guild is to bring together members who learn, share, teach, and participate in workshops, talks, and demonstrations relating to a wide variety of the fiber arts. Members have interests ranging from quilting and embroidery to weaving, wearable a

Chasing rainbows Having taught many students over the years, from 4 year courses to one day workshops, both in person and online, I get quite lot of interaction via email. News about exhibitions of work, getting onto a higher education course, that kind of thing. I was delighted to receive an email from Carrey Gorney last week. Carry has taken various workshops with me, both in person and online. A few years ago Carry created a body of work entitled 'Burnt Histories' - "I have created ghostly portraits using the torn pieces of lace and faded photographs carried out of Germany by my Granny and her sisters when they fled the Nazis. They were always sewing, even before” Kaiser Bill” led the Germans into World War One. My grandmother had longed to become a doctor, like her brother, to rip up her sewing, to rip open her corsets and to become herself. I have ripped, scorched and singed the last fragments of their v