Recycled cardboard packaging woven into with printed newspaper. The completed weaving was then printed and hand stitched - by Shaun West   I have been teaching weaving as part of the Constructed Textiles module of my course Experimental Textiles for many years. When I taught 'in person' we would create a huge pile of fibres, paper, yarns, fabrics and plastics in the middle of a huge table and the group would take what they thought would work for them. We always concentrated on interesting texture rather than weaving techniques. It is quite possible to create something rather special with simple techniques and interesting materials. The work in the first 5 images in this post was created by Shaun West in 2013.  All you need to weave, is a grid or a warp. With recycled cardboard packaging that is sliced in regular intervals it becomes quite possible to stretch it out and weave into it. Choosing to weave with painted and printed recycled newspaper keeps to a muted colour pallette.

Still Life box by Jane Wolfe   I had intended to add a few of these images to my newsletter, but this collection of work is so good, I wanted to write more about them, so I am writing an extra blog post. The three students mentioned today are on the current online Experimental Textiles course. When drawing and painting is not normally part of your practice, it can very daunting to paint and draw a still life. I don't ask students to draw for the sake of making a picture, I ask so they can actively look at line and form. The spaces in between, the composition. Above - Jane's still life. Below - the still life drawing Jane's finished box. The still life was stuck to orange cotton then cut to shape and folded.   To make drawing and painting a still life less terrifying, I tell my students they will be tearing their work up when the they have finished drawing and painting. This helps to take away the fear of what the finished drawing or painting will look like. To make it more

Chasing rainbows Having taught many students over the years, from 4 year courses to one day workshops, both in person and online, I get quite lot of interaction via email. News about exhibitions of work, getting onto a higher education course, that kind of thing. I was delighted to receive an email from Carrey Gorney last week. Carry has taken various workshops with me, both in person and online. A few years ago Carry created a body of work entitled 'Burnt Histories' - "I have created ghostly portraits using the torn pieces of lace and faded photographs carried out of Germany by my Granny and her sisters when they fled the Nazis. They were always sewing, even before” Kaiser Bill” led the Germans into World War One. My grandmother had longed to become a doctor, like her brother, to rip up her sewing, to rip open her corsets and to become herself. I have ripped, scorched and singed the last fragments of their v

 A fabulous contrast between light and dark       The clocks have changed - it is getting darker earlier. It's the time of year when  you want to start snuggling in, getting cosy. There is a definitely nip in the air. Time to get out the thick jumpers. The light is changing, getting more dramatic as the days are getting shorter. Because we have so much rain in Ireland, and of course on Loop Head where I live, we have the most wonderful displays of light and colour. The day can be dark with glowering grey clouds, then the clouds part and a shaft of sunlight hits the green fields, Wow!! I love it. 'The Last One' - Mixed media and collage This is one of my latest canvases interpreting the local cows ambling up the low incline on the way to milking. It is one of my favourite sights. I find the rhythm of rural life here very comforting. Another great sky And my interpretation in painted fusible web and newspaper The huge skies and ever changing light will be inspiring me forever

A fabulous sample by Lynda  The group that were on my first Zoom workshop, A New Starting Point, 2 weeks ago, had their 2 hour Show and Tell yesterday. Again on Zoom. Wow!! what a great group. Such enthusiasm. Whilst Zoom isn't the best thing for a workshop, at the moment, it is the only choice we have. For the Show and Tell it was perfect. 12 students from the UK and Ireland, having a chat over coffee and talking about their work for 2 hours. What a treat it was, for all of us. I wanted to have some  sort of catch up after the Zoom workshops. I always wondered if the students had developed any work from any of my workshops when I used to teach pre covid. Some students were kind enough to send me images, but you never really knew.  With a dedicated catch up, 2 weeks after the workshop, it gives the group a chance to develop their samples, or do more, have a play . .  and have a date to work towards.  Just look at this collection of gorgeousness!!! A New Starting Point encourages st