The new book from D4Daisy www.d4daisy.com  Most of you will have seen that Maggie Grey has a new book out from D4Daisy and some of you will already have it. It is a fabulous book, full of exciting ideas. Every page had something brilliant on it - using one cutting tool or another on it - from hole punches to laser cutters. It is a very good read. The book features several of the Vilene interfacings - or 'pelmet Vilene'. I though this might be a good time to explain the differences between the 'pelmet' or 'craft' Vilenes as most of you know them. There is no such thing as 'pelmet' or 'craft' Vilene. It is a term that has been adopted to describe a firm sew-in interfacing. The correct name, or in fact, number for it is - S80 . Not very exciting - but if you don't know the number you will have trouble finding it. I sell all the medium to heavy weight iron-on and sew-in interfacings on www.nid-noi.com. I have h

  Transfer printed satin covered with hand knitted wire embellished with hand stitch - by Sally. It is sad when a long course comes to an end - it is also a time to celebrate all the hard work of the past year. Friendships have been made amongst the group that I hope will last for years to come.     Sally stitching in to the sample above.   We started off with eight students and lost two along the way through broken bones and pressure of work. I am hoping that Liz of the broken bones will be picking up the course again some time this year and hopefully Emma will feel more able to work with the group as they go forward into new ventures.     Claire and Shaun appear to be working hard but were definitley feeling slightly hysterical and mucking about. Claire blamed the caffeinated tea she drank at lunchtime for her extreme fit of the giggles. (Claire normally drinks decaffeinated). Heidi working hard on her wall piece.     Jo creates the most beau

  The cover of Patchwork Professional Magazine You can just picture it can't you - me sitting here at my computer in my bathrobe writing this with blue dye on my hair being incredibly excited about my second article to be published in a magazine - I feel so grown up!!! Patchwork Professional is a very beautiful German magazine the promotes all kinds of quilt art and associated textile techniques and skills. This issue has featured me as an artist and a workshop on how to use my lovely Hot Spots!   I have been given permission to scan in the cover of the magazine and two of the pages from the article. As they are scans they are not perfect but the images give you some idea. The shaggy newspaper pieces and the 'Blue Cross' image are based on the detritus that gets caught up in the steel work under our West Pier in Brighton. The 4 foot vessel on the right is one of my pieces created from CS800 that has been dyed, zapped and layered. The top image

 My new black (well charcoal really) pelmet/craft Vilene decorated with painted Bondaweb, foils and gilding flake and then cut with a soldering iron and bonded onto the same black pelmet/craft Vilene. FAB!  ooooohh!!! It's chilly! Have you got snow too? This is the third year in a row we have snow in Brighton - most unusual. We also had snow at Bluewater so Sunday was a very quiet day . The first three days were fabulous though. None of us were sure if anyone would come to the show as it was a new venue, but we needn't have worried - you all came in your droves. Thank you! It was great to see so many of you there and you seemed to be having a great time. It was fabulous meeting you all and catching up with friends who also had stands at the show. As it was a bit quiet yesterday I had the chance to play with some of my new products that I will launching on the website in a couple of weeks time. I am just having them cut and priced then I can let you all know what I

 Layers of newspaper and polyester organza stitched together and slashed and distressed to create faux chenille. One of the things we did on the first day of this course was to paint newspaper with procion dye. Normally I would use the newspaper that I have used over and over again when protecting my work surface. If you can build up the colour over time you get a wonderfully random effect of splodges of paint and dye. We didn't have that luxury of time so just had to make do with one coat of dye. Several layers of newspaper and polyester organza machine (we used 8 of each) stitched together in 'tram lines' the width of your machine foot or slightly wider. You then cut through the top layers but NOT the bottom layer. I add a piece of dyed craft/pelmet Vilene as the bottom layer before I stitch all the layers together. This reinforces your work as newspaper is very fragile. The craft/pelmet Vilene also make your work firm enough for book covers or vessels.