A stunning corsage - one of the best I have seen on a workshop.    I had a great day today teaching at Southwick Community Centre for the Sussex Quilters. The workshop was 'Tinkering with Tyvek'. As usual for my workshops this was a process based day. I think it is important to know what the the materials will do before you can decide to make anything. First thing, we spent an hour painting both sides of several sheets of A4  heavy Tyvek and fabric weight Tyvek. Dull but necessary, it is very important not to paint the Tyvek with thick paint. If you do, the paint will form a barrier and the Tyvek won't react to heat. We then had a play with ironing Tyvek shapes between baking parchment, learning the 'Kiss, Stroke and Caress' way of lightly heating the Tyvek till it shrinks and puckers. We then moved on to layering 4 sheets of A4 Tyvek with polyester organza and machine stitching them together ready for zapping back - a bit like cheeky reverse

Hot Textiles has been translated into Spanish - Whoo hoo! The journey home from Glasgow on Monday was a bit scary - well the first bit of it was anyway . . . .The M74 was very, very, frightening. One minute there was a reasonable amount of snowfall - The next, there was a whiteout. The traffic ground to a halt and we sat around for a while, an hour or so and then we started to move, slowly. With the ever useful travel information on the radio we were informed of an accident that had closed the motorway several miles ahead. We eventually diverted off the Southbound M74 via Lesmahagow, to return to a much faster moving M74. On the Northbound M74 there was a horrible accident involving two lorries and several cars. The scene certainly made me drive much more sensibly than usual . I delayed my journey home to Brighton as I heard on the travel news that the M23 was blocked with poor drivers stuck in the snow, most of them all night! Luckily my best fri

One of Gina's beautiful pieces that ended up as a book cover. Only having four students on the course was a great treat for me - I'm not sure how the students felt, as many of you will know, I'm not very good at leaving my students alone to work in peace . . . I don't quite know why there were only four bookings, I have taught in December or January with ten every year so it is a mystery. I know some students worry about the possibility of snow, and it has snowed hard once or twice at this time. Anyway, we had a great time and it was a first for me so that was good. The students worked hard and fast so I had to introduce more than I was expecting to. It's good for me to be 'kept on my toes'. I can get a bit blase if things are too easy. 'Jewelled Surfaces' involved layering newspaper, painted Bondaweb and all kinds of glittery things and then reinforcing them with different iron-on interfacings. It's a tough job, but someone has to do it

 Iron-on interfacing colourwashed blue. This was then foiled all over with silver transfer foil and printed onto with one of my favourite wooden printing blocks. This can be done with the heavy pelmet Vilene (S133) if you want to make a box, or the softer Decovil 1 or Decovil light to make book covers or bags - gorgeous. I sell all three - www.nid-noi.com   Painted Bondaweb layered with torn newspaper, dot jewels and glitter.  I have a few weeks of calm looming - to write the book and start a new body of work. I am also making up some layered newspaper samples to have laser cut to my own designs to start making my new range of brooches and earrings. I love it when there is room in your brain for ideas to start slinking in. This tends to need time and space - all of which I have for while. I have plenty of things to catch up with, but there should also be time for play.  As most of you will know I think it is vital for any artist to play with their materials - it can lead

Newspaper layered with painted Bondaweb printed onto with a wooden printing block. It is very easy to forget simple parts of a process - such as the fact you need pressure - albeit gentle, to print. My great printing session collapsed quite quickly when I realised I didn't have the strength to press down on the blocks. It didn't help that I had already ironed the papers onto the Heavy Pelmet Vilene Plus which meant they were also very stiff. You do need a more cushioned surface for sucessful prints. It doen't really matter as I will be putting these samples through my die cutting machine to make the shapes for my jewellery but I did feel a fool . . . . . This is just a brief post to show that I am still alive and getting slowly better although obviously not firing on all cylinders just yet!!!    x x x

  3 A4 sheets of painted Tyvek layered with polyester organza. this was then machine stitched together and then zapped with a heat gun to reveal different layers of colour and to create texture. The second day of a three day course - we have covered most of the basic techniques now and the students will be combining their own layers and stitching into them tomorrow.  There are seven in the group and it is another good group - textile ladies do seem to be good fun in general. I rarely get someone who moans. These are two Bondaweb pieces that I missed yesterday We worked with Tyvek for most of the day, starting with 'kissing, stroking and caressing' single sheets and moving on to layering Tyvek with polyester organza and zapping back. I don't know if you can have too much of a good thing but here are all the layered samples - front and back - Maggie's front and back Jean's front and back   Janet's front and back