A detail of one of the panels of the mobile Those of you who teach will know how great it is when a past student sends you an excited email with images of work they have created (and sold) after one of your workshops. This student, who doesn't want to be named but has given me permission to use her images. She took various online workshops with me during the pandemic. This work was created after working through my workshop A New Starting Point, which features painted Bondaweb and recycled papers. Maybe a bit of glitter and foil too . . ! The work that has been sold is this beautiful mobile. Isn't it fabulous? The mobile featuring 11 double sided panels of gorgeousness   Here are a few of the panels in progress . . Detail of the print on these small panels    The decorative papers were torn and layered with painted Bondaweb and decorated with transfer foil and print. I love the use of red, not many people use it, It balances the darker blue beautifully.   Here are few more piece

  2 new pieces of textile art work       Phew!! Well, that was a whirlwind of a month or so. What with visitors staying and getting my new work ready to hang, it has been none stop.  It has been wonderful to finally have visitors to stay now that Shannon, my local airport, is opening up. More flights are being added every month, it is very encouraging. However, there was the added irritation of the studio door coming off it's rail and smashing that really didn't help.  I really didn't need this . . . Groan! It is very handy having large sheets of farm plastic stored in my big shed. The boarded and secure door. It can be locked. A local builder has kindly boarded the door so I can still use it, but is does make the studio very dark. Which is an issue when I am filming or doing a live stream. Any of you that watched the live stream I did for Vlieseline on Saturday will have seen what I mean. If you haven't seen it yet - hop over to the Vlieseline Freudenberg UK facebook p

My teaching table . . . Scrummy! A New Stating Point is now by far the most popular workshop I have ever developed. It is very satisfying when a workshop 'works' so well. I taught a 4 day version of this at The Bridge Community Education Centre in Brighton. A scant 15 minutes door to door - it is such a treat to teach so close to home. The Bridge is a great place to work and the food is fabulous. More of that later . . . A New Starting Point includes my 'Backgrounds and Prettys' tearing and layering technique and making newspaper faux chenille. Torn and layered book pages with painted Bondaweb and lots of gilding flake.  Painted Bondaweb ironed onto newspaper and then printed with a printing block. Simple and very beautiful. A torn and layered sample printed with a spiral printing block. Another torn and layered sample that has been printed. The print has been highlighted in selected areas to give definition. All the commerci

Newspaper decorated with painted Bondweb, silk fibres, glitter and transfer foil. On Saturday I drove over to Meopham in Kent to teach one of my last one day workshops. The workshop was Hot Textiles, working with Bondaweb, Tyvek and Lutrdur/Vilene Spunbond. As some of you will know, I no longer take bookings for one day workshops, you can never get enough done. This workshop was booked 18 months ago.  Having given a lecture to this group the previous Saturday in Gravesend, I knew I was in for a good day with plenty of fun and laughter.  We started off painting up the Tyvek, Bondaweb and Lutradur/Vilene Spunbond. When working with materials that distress with heat, it is important to know how to apply colour to them, most importantly, how thinly to apply the colour. If the paint is applied too thickly, the paint will form a barrier and form a resist to the heat.   The group painting up their products. The Tyvek is always the first to dry - so we we experimented w