One of Emma's resist prints The second day was to be spent looking at colour and how other artists use it. The group attacked their colour wheels with gusto and managed to complete their tints and tones charts with good humour. It can be very trying to have to spend a good hour or so on very controlled colour mixing but it is very important for students to know how to mix colour. Whilst most of us use colour instinctively - colour wheels are very useful when a project you are working on just isn't working colour wise and you need to work out why . . . . The tints, tones and shades chart and a colour wheel. I won't bore you all with images of all the colour exercises we did - here are some more of Saturdays resist printing samples - As we had the dye/colourwash out, some of the student s continued their experiments with wax crayons and dye/colourwash and then taking away or discharging the colour with Milton sterilising liquid.

 One of Lana's colourful papers which she then started to cut and collage.  Art Van Go have a great studio/workshop space at the back of their well equipped shop. They have everything a girl could desire. Having made the printing blocks the students started to print with them on A1 sheets of white cartridge, working out their patterns and repeats. We used acrylic paint to print with. Once the A1 sheets were printed up and dry we colour washed them with a dilution of procion dye powder and water. You can see how beautifully the different coloured dyes bleed and mix together on the page. Once dry the acrylic paint resists the dye.   Lana started to build up layers by cutting up one sheet to apply or collage onto another sheet.   One of Lana's layered pieces which she later went onto stitch.     Another one of Lana's printed sheets .   This is one of Kate's overprinted sheets, it looks quite 3D if you slightly offset your over print. We all thou