Still Life box by Jane Wolfe   I had intended to add a few of these images to my newsletter, but this collection of work is so good, I wanted to write more about them, so I am writing an extra blog post. The three students mentioned today are on the current online Experimental Textiles course. When drawing and painting is not normally part of your practice, it can very daunting to paint and draw a still life. I don't ask students to draw for the sake of making a picture, I ask so they can actively look at line and form. The spaces in between, the composition. Above - Jane's still life. Below - the still life drawing Jane's finished box. The still life was stuck to orange cotton then cut to shape and folded.   To make drawing and painting a still life less terrifying, I tell my students they will be tearing their work up when the they have finished drawing and painting. This helps to take away the fear of what the finished drawing or painting will look like. To make it more

We had such a productive day on the third day of the summer school that I will doing 3 posts - this is this the first and it shows some of the 3D samples that were developed that day. This FAB Tyvek box was made by the lovely lady who sat in the corner by the stereo whose name I wrote down and consequently lost - apologies . . . .. This box was made bu Jo Hogg, pelmet/craft Vilene cut to shape, folded and embellished with a Tyvek shape. This trio of Tyvek bowls was made by Julia Fonnereau A close up of one of Julia's bowls Marion Hornall created this bowl by layering up Tyvek and polyester organza which was machine stitched together and then zapped with a heat gun. This was then shaped further with heat to create this cheeky little bowl. Sue Dunkerly used the opportunity of time on the summer school to develop some ideas she had been working on based around seed pods. Layers of Tyvek. polyester organza and Vilene Spunbond were layered, machine stitched and zapped, then shape