Transfer print decorated with organza bonded applique. Being able to colour/dye and print your fabric is very important if you want your work to be different. In my teaching I strive to help my students create original work. It is my passion. So this session is very important, dyeing natural fabrics (Viscose, cotton, silk)with procion dyes and synthetics with disperse/transfer dyes. It takes a lot to organise but is soooo worth it.     The group sorting all their fabrics and putting them in their plastic bags. Learning how different types of fabric take the dye is great fun. I use the dyeing in a plastic bag method for this. We don't need yards of fabric to give us the information we need. I use Ruth Issett's book Colour on Paper and Fabric for all the dye recipes. It is now out of print but can still be bought quite reasonably. I always refer to Ruth's books, having done several summer schools with her, I know her systems work - she is the Queen of Colour

  A close detail of Barbara's pebble pool. It is wonderful when a plan comes together - especially if you never quite know how things will end. With the benefit of experience you know things SHOULD work out how you wish - but you can never guarantee an outcome. I can't tell you how delighted I am with the work the ExTex 2 girls have produced. Experimental Textiles is non accredited course - there is no certificate at the end of it - just an amazing body of work and more confidence in yourself and your work. Because we don't need to tick boxes to please examination boards, I am able to work individually with each student. This is very rewarding and crucial for their personal development. I will continue to teach the course at the IDC studios at The Old Needle Works in Redditch. It is right next to the railway and bus station and has easy access to the local motorways and airports. I already have students enrolled for June that are flying from Scotland and dr